WARNING Strobe lights may cause epileptic seizures. If you are epileptic, please drop the course.
| Textbook: | Matters
of Light & Depth (Paperback) by Ross Lowell Publisher: Lower Light Management ISBN: 0966250400 |
Recommended
Readings: ASMP
Professional Business Practices in Photography (Sixth Ed.), PDN,
Photoserve, Photographic Lighting: Essential Skills Third Edition ISBN: 0-240-51964-7 Studio Photography: Essential Skills Third Edition ISBN: 0-240-51979-5 Focal Press |
| Course Objectives: | To introduce students to professional photographic lighting and the range of cameras utilized in studio photography. The student should become proficient in lighting, camera handling, and creative thinking. The entire course will be created from your imagination and not found. You will begin with an empty studio and construct your projects from scratch. | |
Conduct: |
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| Grading: | 10%
Oral presentation |
|
| Materials: see supplies list |
Links
of interest: light Videos of Studio techniques - http://www.creativereview.co.uk/crblog/planet-tozer-how-he-did-it/ |
|
Topic |
weekly
reading/assignment |
|
| Week 1 9/8 | Intro supplies studio etiquette & safety Examples slide show Imaging Chain review |
Bring in at least 10 examples of studio photography that you are interested in. Bring in examples of your previous work Choose your favorite beverage or create your own. Make an image of it looking appealing (sugested approaches: splash, underlight, lifestyle with sexy people consuming it, Beauty shot of packaging) |
| Week 2 9/15 | The
art and Physics of light lighting demo |
|
| Week 3 9/22 | The Portrait | Yousuf
Karsh's official website Karsh on wikipedia |
Week 4 9/29
|
The still life | photograph
an egg on the product table. There must be details in the entire egg. It
must "feel" round and eggshell textured. photograph a light bulb twice 1 image with the bulb off showing all details and the bulb must remain white 1 image with the bulb on showing the filament and the text on the top bulb must remain white! |
| Week 5 10/6 | Crit | Bring a portrait, your egg images, Beverage shoot and |
| October 13 | Monday | Columbus Day – College is closed |
|---|---|---|
| October 14 | Tuesday | Classes follow a Monday schedule |
Week 6 10/14 |
food | http://www.mocafico.com/stilllife.html Photograph a splash |
| Week 7 10/20 | Digital Daze - Basic Photo editing and RAW format | |
| Week 8 10/27 | Crit | |
| Week 9 11/3 | reflective objects and flatware | Photograph
Red |
| Week 10 11/10 | Digital Daze - Printing | |
| Week 11 11/17 | Oral Presentations | |
| Week 12 11/24 | Proessional development and jobs | |
| Week 13 12/1 | Open session probably the Law and Photography | |
| Week 14 12/8 | Final Crit Portfolio of at least 15 images printed and presented professionally. NO LATE WORK ACCEPTED | Each image should have a lighting diagram |
| Week 15 | Portfolio return | |
| Key
Concepts: Inverse Square rule of light Lighting ratios Scheimpflug principle Does light act like a particle or a wave? Continuous vs Strobe light Color temperature of light and White Balance Hard vs Soft light Filter Factors undue bellows extension shooting flat art egg on white & Coal on black |
Example
Photographers joyce tenneson Witkin Penn Bellocq catherine Chalmers becher robbins Clark et Pouugnard James Casebere |
light
drawing Highly colorful image to see how light refelcts onto its neighbors eg Lipsticks or Paints Shiny stuff eg flatware or jewelry not macro yet Tenting portrait formal and location (in the art department) Still life Product catalog Fashion Glamour/beauty Macro Lifestyle elaborate set Multiple image eg two shots combined into one. |
| Exposure
and Light Meters Intensity and duration Hand-held light meters Taking a hand-held meter reading TTL light meters Interpreting the meter reading Contrast and Compensation Contrast Exposure compensation Sensitivity and Image Capture Choosing a capture medium Limitations Latitude Push and pulling film Cross processing effect Filters Filter categories Filter factors Fill Reflectors Flash Choice of flash Guide numbers Flash as the primary light source Diffusion and bounce Fill-flash Flash as a key light Slow-sync flash The Zone System Zone placement Contrast control The zones Operating the system Calibration tests Perfecting the system Health and safety Light sources Mixed light sources Working with studio lights Lighting ratios Lighting Techniques Still Life Portraiture Fashion Mixed Lighting Creative Techniques Illusion of movement |
Current
commercial practice; Advertising illustration; Still life; Portraiture;
Commercial portraiture; Fashion; Context; Format; Content; Balance; Composition; Point of view; Line; Depth; Perspective; Art Direction; Layouts; Framing the image; Lenses; Light sources; Equipment detail; Organisation Light; ; Artificial light; Characteristics of light; Aperture and time; Light meter; Using the light meter; Lighting ratios; Interpreting the meter reading; Exposure compensation; Creative exposure compensation; Gallery; Image Capture; Introduction; Choosing a capture medium; Limitations; Latitude; Push and pull; Cross processing; Creative Controls; Focus; Depth of field; Selective focus; Preview; Duration of exposure; Perspective; Flash; Tungsten; Diffusion; Reflection; Filtration; Mixed light sources |